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“First and foremost, Fender is not suing anybody”: CEO Edward ‘Bud’ Cole pushes back on the cease-and-desist controversy

As debate rages over Fender’s much-publicised legal campaign over the rights to the Stratocaster body shape, the company’s CEO Edward ‘Bud’ Cole has spoken out at a dealer event in the US to clarify the reasoning behind this controversial strategy.

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Is Synplant 2’s new prompt-based patch generator the future of synthesis?

Sonic Charge’s Synplant 2 is one of the most innovative synth plugins released in recent years, not only thanks to its unique ‘genetic’ workflow, but also the groundbreaking Genopatch function introduced in version 2. Genopatch is an AI-powered tool that generates synth patches based on imported audio, analysing a sample to create a similar-sounding patch in Synplant based on its sonic characteristics.

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Seiko Prospex celebrates PADI’s 60th anniversary and commemorates a decade of shared passion for the ocean.

Seiko’s long history in diver’s watches reaches back to when the company created Japan’s first diver’s watch in 1965. The following year, in 1966, two American dive enthusiasts founded PADI® to raise training standards and expand access to diving education. Sixty years after its founding, PADI has grown to become the world’s largest diving organization.

A location shot of a man playing the piano, shot in a bar environment with natural and studio lighting.
Scientists finally unravel the mysteries of a pianist’s ‘touch’ after measuring hand and finger movements with “microscopic spatial precision”

Every good pianist knows the importance of dynamics – how loudly or quietly you play, basically – but other tonal terms have always been somewhat more subjective. Can you really make a piece sound ‘warmer’, ‘darker’, ‘brighter’ or ‘heavier’, for example, given that, once the hammer hits the string, the tone of the sound is supposedly out of your control?

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“The Lego prototype went through many, many phases of moving buttons around… It was playful and not permanent”: Ableton’s Jesse Terry reveals the Lego brick origins of the company’s Push hardware instrument as he revisits a rare early prototype

Released in 2013, Ableton’s Push was the hardware that turned its Live DAW into a playable instrument (Ableton never liked to think of it as a controller)

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“Chunky, organic, trashy and very characterful”: Zultan Raw 8” Mini Hi-Hat review

Back in the ‘90s, cymbal brands periodically leaned into the ever-increasing popularity of electronic music, offering drummers the opportunity to recreate the pitched-up, crunchy sounds emerging from sampled breakbeats used in hip-hop, jungle and house music. This led to a number of options from Sabian’s VFX line (a collaboration with Tony Verderosa)

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How do you like your ES-335? Gibson’s gives its iconic semi-hollow the Les Paul treatment, offering ‘50s and ‘60s versions with “decade-correct feel, look, and tone”

Gibson has refreshed its electric guitar lineup with two takes on its iconic ES-335 that bring it in line with the Les Paul Standard, as players can now choose between ‘50s and ‘60s models, each with their own “decade-correct” specs and details.

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“The artists are AI. I’m an AI agent. There are no humans in the creative or operational chain”: An AI run record label? Are the robots taking over?!

An AI music label generating AI music for an audience of robots? It sounds like a plot from a dystopian science fiction film, doesn’t it? But according to a report on Music Ally, it’s reality in 2026.